Well my last post must have been a bit cathartic because I buckled down and finished the cursed piece. It's not like there was much left to do, but it was all annoying because there were various corners that needed five or six stitches only. If they'd needed twenty stitches I wouldn't mind but a mere five or six is just...frustrating.
I even worked on it while hanging out with my sweet and maddeningly adorable nephew Benjamin. He's two years old and very into letters and numbers. He knows the whole alphabet and numbers up to twelve (and a few random teen number and maybe twenty, I forget) and whenever he sees words or numbers he likes to point them out. It makes it dangerous to do cross-stitch around him, given that toddlers are well-known to often have sticky, messy fingers, but I risked it. The phrase "This is a no-touch item," was oft repeated.
Of course, I may have rushed into this a little too heedlessly. Now all I have on the books is the big, complex Roman mosaic - a piece which alternately frightens and enlivens me. I am excited to do it, but I'm so scared of messing it up to the point where it must be scrapped.
The other day I made a Felix the Cat cross-stitch pattern and I'd like to do a Tintin piece for my nephew. My sister has a mug with Captain Haddock on it and a little picture of Tintin on the bottom, this has led young Benjamin to point to the bottom of all dishware, and pretty much anything he can pick up, and say "Tintin!" He has a dutch Tintin counting book which he absolutely adores.
As this is the formerly-cursed piece, I do absolutely love how it turned out. While the border was fussy and frustrating I think it looks wonderful and the greens are close enough in shade to not distract from the text yet distinct enough to make the mosaic pattern shine. Again, I adore my little snakes and mice, especially the mice, and I believe I'll try to work the basic design into a blackwork sampler featuring various animals.
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